Pellworm is one of the North Frisian Islands on the
North Sea coast of Germany. The landscape of the south side of the island is
dominated by the 41 m (135 ft) round cast iron tower, painted red with one
white horizontal band. Built in 1907, the lighthouse was assembled from 600
individual steel components and held together by 16,000 bolts. This tower is
practically identical to two other lighthouses in North Friesland: the Hörnum
on Sylt and Westheversand, on the Eiderstedt peninsula). Since it was first
commissioned in 1907, Pellworm lighthouse has been electrically powered and was
automated in 1977. In August 2002, the original Fresnel lens has been replaced
by a modern light cannon
with a six-time-changer, whose halogen bulbs burn for 2000 hours. The 2-story
keeper's house is used as a registrar's office; this lighthouse, like
Westheversand, is popular for weddings. During the summer season, the lighthouse
is open for guided tours when you can ascend the 140 steps to the double
gallery (54° 29' 46'' N 008° 39' 57'' E).
The traditional definitive Flower series, issued annually
since 2005, makes people aware of beauty and diversity of flowers in gardens
and open countryside of Germany. The
genus Tagetes includes about 50 species of marigolds and countless varieties in
sulfur-yellow, orange or golden brown colors decorating gardens, parks and
traffic islands. The 20¢ flower stamp (issued in 2007) depicts the French
marigold (Tagetes patula), a species in the daisy family (Asteraceae).
The stamp series "German Paintings" presents
significant art works by German artists. The stamp issued on January 3, 2011
depicts the oil painting “Wanderer above the mist” composed in 1818 by Caspar
David Friedrich. Friedrich was a German Romantic landscape painter (1774-1840),
best known for his allegorical landscapes which typically feature contemplative
figures silhouetted against night skies, morning mists, barren trees or Gothic
ruins. The painting shows a young lonely man standing upon a rocky precipice
observing the vastness and infinity of the landscape. Thanks a lot, Michaela.



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