Saturday, 12 November 2011


Pellworm is one of the North Frisian Islands on the North Sea coast of Germany. The landscape of the south side of the island is dominated by the 41 m (135 ft) round cast iron tower, painted red with one white horizontal band. Built in 1907, the lighthouse was assembled from 600 individual steel components and held together by 16,000 bolts. This tower is practically identical to two other lighthouses in North Friesland: the Hörnum on Sylt and Westheversand, on the Eiderstedt peninsula). Since it was first commissioned in 1907, Pellworm lighthouse has been electrically powered and was automated in 1977. In August 2002, the original Fresnel lens has been replaced by a modern light cannon with a six-time-changer, whose halogen bulbs burn for 2000 hours. The 2-story keeper's house is used as a registrar's office; this lighthouse, like Westheversand, is popular for weddings. During the summer season, the lighthouse is open for guided tours when you can ascend the 140 steps to the double gallery (54° 29' 46'' N 008° 39' 57'' E).
 The traditional definitive Flower series, issued annually since 2005, makes people aware of beauty and diversity of flowers in gardens and open countryside of Germany. The genus Tagetes includes about 50 species of marigolds and countless varieties in sulfur-yellow, orange or golden brown colors decorating gardens, parks and traffic islands. The 20¢ flower stamp (issued in 2007) depicts the French marigold (Tagetes patula), a species in the daisy family (Asteraceae).
The stamp series "German Paintings" presents significant art works by German artists. The stamp issued on January 3, 2011 depicts the oil painting “Wanderer above the mist” composed in 1818 by Caspar David Friedrich. Friedrich was a German Romantic landscape painter (1774-1840), best known for his allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. The painting shows a young lonely man standing upon a rocky precipice observing the vastness and infinity of the landscape. Thanks a lot, Michaela.

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